In 2014, director Richard Linklater released Boyhood, a fictional coming-of-age saga that was filmed using the same cast across twelve years. This film mirrors that concept: creating a real-life epic of boyhood and manhood that follows the same individual over 20 years, living in one of the most dangerous countries in the world. When we first meet Mir, he is a mischievous boy of seven living in a cave in central Afghanistan alongside the Buddhas of Bamiyan, two statues that were recently destroyed. For two decades, the film follows the adventures of his life, until, as an adult with a family of his own, he decides to pursue his own career as a news cameraman in Kabul. More than just a personal journey, My Childhood, My Country is an powerful examination of what has – and has not – been achieved in Afghanistan over the past 20 years.
小草影院韩国电影神马影院光棍影院星空影院寻找斯蒂夫·麦昆哪吒“白”热:A&F的起与落神探夏洛克与女儿第一季今晚在U型酒场特别篇恶魔之井卡特拉火山一剪成衣第二季东边日出西边雨王志文版水蛭赵氏孤儿(京剧)神奇动物管理员 第三季水深火热的星球第一季倒数追魂致命追踪电影版监护风云制暴2024美国之旅2一飞冲天1952亲爱的是陷阱可怜的富家小姑娘谜局大巴上的女孩第一季仙后座英国病人末日侵袭之终极一搏伊拉克恶狼谷游泳池2024毒花劫
追踪拍摄20年 记录了一个人从男孩到男人 希望他们一家安好
#VIFF40 无法评分的一部 言语都变得没有意义
那里的人们是真的惨
“Looking at the American planes. I like Americans.”...“I had cows... Life was good”
身在阿富汗的20年人生,从小童,成为父亲,从山洞,走向城市,辍学、打工、结婚、摄影,人来人往,冬去春来,像是在一个巨大的伤口上,看不同的盐分在渗透,却依然想要维持一种乐观,毕竟,不想得灿烂点,这人生就难以为继了。顺着这些苍凉的镜头,外国的侵略与援助,内部的分化与屠戮,总能把气压控得越来越低,那么多无能为力的人,就只能把希望寄托在某些根本无从遵循的外来诺言上,破灭了,又寻觅下一个。人世艰难,莫过于此。#VIFF#7
这届人权电影节上看到最好的一部片子
【纪录观点】跨度20年的纪录,从孩童到成人
二十年前,在巴米扬大佛废墟前嬉戏,二十年后,拍摄美国运输机离开。
【自译】https://www.ixigua.com/7227370509561037367?id=7222965015538729533&logTag=7a982fabb289c4cdbcf3
内容过于简略了,走马观花,低于预期,时间的力量还是会让人感触。二十年,动荡不安的阿富汗,一个孩子的成长。
心碎
#Sheffield 2021#